Macbeth/Bibliography

20 Apr 2023 - 15 Mar 2025

Aristotle. On Interpretation.

Augustine, of Hippo, Saint. The Confessions of St. Augustine. Book XI.

Ball, Philip. "Small Things." Aeon. https://aeon.co/essays/the-devil-in-the-detail-the-uncanny-world-of-the-very-small

Bazin, André. Orson Welles: A Critical View. Jonathan Rosenbaum (trans.). Acrobat Books. 1991 (1972).

Blake, William. The Marriage of Heaven and Hell.* *1790.

Bloom, Harold. *Macbeth: *A Dagger of the Mind. Scribner. 2019.

Casson, Philip. Macbeth. Thames Television, 1979. 2 hrs. 25 mins.

Chesterton, G. K. Orthodoxy. Image Books, 1990 (1908).

Coen, Joel, director. The Tragedy of Macbeth. Apple Original Films, 2021. 1 hr. 45 min.

Davis, Erik. *High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies. *Strange Attractor Press/MIT Press. 2019.

Davis, Erik. "Weird Shit." Boing Boing article. 2014.

Deleuze, Gilles. Cinema 2: The Time-Image. Hugh Tomlinson and Robert Galeta (trans.). University of Minnesota Press, 1989 (1985).

Deleuze, Gilles, Logic of Sense. Mark Lester (trans.). London: Athlone Press, 1990 (1969).

Garber, Marjorie. "Macbeth: The Modern Medusa" in Shakespeare's Ghost Writers.

Goold, Roger, director. Macbeth. BBC Four, 2010. 2 h 40 m.

Heraclitus, Fragments. (I tend to use the Burnet translation.)

Hillman, James. Pan and the Nightmare. Spring Publications. 2007 (1972)

Holinshed, Raphael. Holinshed's Chronicles of England, Scotland, and Ireland, Volume 5: Scotland*. *1577. (Link is to parts concerning Duncan, Macbeth & Banquo)

Huntley, Frank L. “Macbeth and the Background of Jesuitical Equivocation.” PMLA 79, no. 4 (1964): 390–400. JSTOR: https://doi.org/10.2307/460744

James I. Daemonologie. 1597.

Jung, Carl Gustav. Aion: Researches Into the Phenomenology of the Self. R. F. C. Hull (trans.). Princeton University Press, 1969 (1959).

Jung, Carl Gustav. *Answer to Job *(1952). R. F. C. Hull (trans.) in: *The Portable Jung. *Joseph Campbell (ed.). Penguin. 1971.

Jung, Carl Gustav. "Late Thoughts" in Aniela Jaffé (ed.), Memories, Dreams, Reflections. Trans. Richard Winston & Clara Winston. Vintage, 1989 (1961).

Jung, Carl Gustav. "On the Relation of Analytical Psychology to Poetry." R. F. C. Hull (trans.) in *The Portable Jung. *Joseph Campbell (ed.). Penguin. 1971.

Knight, G. Wilson. "Macbeth and the Metaphysics of Evil" in The Wheel of Fire. 2nd edition. Routledge. 2001 (1930).

Kusters, Wouter. *A Philosophy of Madness: The Experience of Psychotic Thinking. *University of Chicago Press, 2020.

Lovecraft, Howard Phillips. "The Haunter of the Dark." 1936.

Lowrance, Bryan. “‘Modern Ecstasy: Macbeth and the Meaning of the Political.” ELH 79, no. 4 (2012): 823–49. http://www.jstor.org/stable/23356185.

Mallarmé, Stéphane. "La fausse entrée des sorcières dans Macbeth."

Marchitello, Howard. "Speed and the Problem of Real Time in Macbeth." Shakespeare Quarterly, Volume 64, Issue 4, Winter 2013, 425-448.

Meillassoux , Quentin. After Finitude: An Essay on the Necessity of Contingency. Trans. Ray Brassier. Continuum, 2008.

Montaigne, Michel de. *The Complete *Essays. Trans M.A. Screech. Penguin, 2003 (1592).

Nietzsche, Friedrich. The Gay Science: With a Prelude in Rhymes and an Appendix of Songs. Walter Kaufmann (trans.). Vintage Books, 1974 (1882).

Picasso, Pablo. "Statement to Ma rius de Zayas." 1923.

Polanski, Roman, director. The Tragedy of Macbeth. Playboy Productions, 1971, 2 h 20 m.

Poole, Kristen. "Physics Divined: The Science of Calvin, Hooker, and Macbeth." South Central Review 26, no. 1/2 (2009): 127-52. http://www.jstor.org/stable/40211294

Pullman, Philip. *The Subtle Knife. *Scholastic Point, 1997.

Purkiss, Diane. *The Witch in History: Early Modern and Twentieth-Century Representations. *Routledge. 1996.

De Quincey, Thomas. "On the Knocking at the Gate in Macbeth."

Raffel, Burton. “Shakespeare and the Catholic Question.” *Religion & Literature* 30, no. 1 (1998): 35–51. http://www.jstor.org/stable/40059800.

Resnais, Alain, director. Hiroshima Mon Amour. Argos Films, 1958. 1 h 30 m.

Richardson, Brian. "'Hours Dreadful and Things Strange': Inversions of Chronology and Causality in Macbeth." Philological Quarterly, Summer 1989.

Rimbaud, Arthur. "Letter to Paul Demeny, May 15, 1871" in Complete Works, Selected Letters, a Bilingual Edition. Wallace Fowlie (trans.). University of Chicago Press, 2005/1966.

Salter, G. Connor. "Adaptation and Cultural Apologetics: Sin, Guild, and Cosmic Justice Across Five Macbeth Films." An Unexpected Journal, December 14, 2022. https://anunexpectedjournal.com/adaptation-and-cultural-apologetics-sin-guilt-and-cosmic-justice-across-five-macbeth-films/

Schiller , Friedrich. "On Naïve and Sentimental Poetry." 1796.

Schlegel, August. Course of Lectures on the Dramatic Arts and Literature*. *1965 (1808).

Shakespeare, William. All's Well That Ends Well*. *1601-05.

Shakespeare, William. *Hamlet. *1600.

Shakespeare, William. *A Midsummer Night's Dream. *1605.

Shakespeare, William. The Tempest. 1610.

Spoto, Stephanie Irene. “Jacobean Witchcraft and Feminine Power.” Pacific Coast Philology 45 (2010): 53–70. JSTOR: http://www.jstor.org/stable/41413521..

Stirling, Brents. “The Unity of Macbeth.” Shakespeare Quarterly 4, no. 4 (1953): 385–94. https://doi.org/10.2307/2866474..

Vernant, Jean-Pierre. *The Origins of Greek Thought. *Cornell University Press, 1982 (1962).

Welles, Orson. Macbeth. Mercury Productions, 1948. 1 hr. 47 mins.

Willbern, David. “Phantasmagoric ‘Macbeth.’” English Literary Renaissance, vol. 16, no. 3, 1986, pp. 520–49. JSTOR: http://www.jstor.org/stable/43447200..